Issue No. 32
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The Big Picture
Edmund Teske, whose contribution was never fully appreciated during his lifetime, was an artist with a unique poetic vision. Now a Getty exhibition brings his vision to a wider audience. Leland Rice, longtime friend, recalls the man and his genius.
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Looking Glass
A century ago, Jack London covered the war between Russia and Japan. James Bleifus looks at the photographs accompanying London’s reports.
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Vivian Cherry
When injury cut short a promising career as a dancer—performing at New York’s famous Roxy theater was a highpoint—she turned to photography. A Photo League street photographer, some of her most memorable shots show the dismantling of the Third Avenue El.
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Helen K. Garber
Influenced by classic Film Noir and Brassaï night photography, she captures the after-dark scenery of cities like Los Angeles, New York and Paris.
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Roman Loranc
Growing up in his native Poland, he traded his treasured Levi jeans for a Russian copy of a Nikon. Later, immigrating to California, he found inspiration in the central valley’s wetlands, focusing on its majestic oaks and fog-shrouded waters. In his new work, he returns to his childhood landscape and church interiors in Poland and Latvia.
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Carl Cook
A lifelong fascination with animals is the guiding force in his work, wolfs, crows and other birds being his forte. One of his images of cranes graces this issue’s cover.
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Marte Previti
Recently come to light, his 1930s and 1940s photographs from South America are throwbacks to a simpler way of life.
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Susannah Hays
She has a love affair with the photogram—an image made with-out the use of a camera.
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James Scott Geras
For his new series—featuring naked trees in winter—he uses long exposures, setting up the camera just before sunrise.
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Tom Patton
The new art department chairman at California State University in Chico, he brings with him a wealth of photographic experience. The titles of his portfolios, such as The City, Nightworks and Artifacts, illustrate his range.
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Monica Denevan
Already at a young age a veteran of travels to China, Vietnam, Cuba, Ecuador, Venezuela and Peru, her latest portfolio, Portraits of Burma, reinforces her ability to capture indigenous peoples in a non-stereotypical way.
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Lance Jones
Using his winnings from a photo contest, he bought a ticket to Ecuador and found himself a witness to a turbulent coup.